Yao and Artusio's Anesthesiology: Problem-Oriented Patient Management

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Post Date :Apr 03, 2012 21:05:05

Yao and Artusio's Anesthesiology: Problem-Oriented Patient Management

Yao and Artusio's Anesthesiology is one of the core texts for anesthesiology residents, and is frequently used as one of the primary study aids for the ABA oral boards. The book covers all areas of anesthesia. Each chapter is based on a case history and questions that address disease knowledge and differential diagnosis, progressing through preoperative evaluation, intraoperative management, and postoperative care. The discussion of each question is followed by a short list of the most important references on that topic. This edition's new full-color format significantly improves the readability of the book. Pediatric topics are grouped into a new section, rather than incorporated into the organ-based sections.

• Anesthesiology Oral Board Flash Cards
• Board Stiff: Preparation for Anesthesia Orals: Expert Consult - Online and Print, 3e (Book & DVD)
• Basics of Anesthesia: Expert Consult - Online and Print, 6e (Expert Consult Title: Online + Print)
• Anesthesia Secrets, 4e
• Stoelting's Anesthesia and Co-Existing Disease: Expert Consult - Online and Print, 5e (Expert Consult Title: Online + Print)

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Leopold Stokowski: The Stereo Collection 1954-1975

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Post Date : Mar 22, 2012 19:06:22

Leopold Stokowski: The Stereo Collection 1954-1975

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Complete Duo Recordings

!#8#Complete Duo Recordings

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Post Date : Mar 17, 2012 22:19:07
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Although Argerich has participated in numerous musical partnerships, not to mention her longtime mentoring of young artists, her associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist's most substantial and musically rewarding collaborations. The present collection includes all of the Argerich/Kremer and Argerich/Maisky duo recordings for Deutsche Grammophon as originally released and in chronological order, allowing listeners the opportunity to trace each duo's evolution in terms of artistic rapport, sensitivity, risk-taking and the fine tuning of nuance.

Any discussion of Beethoven's violin sonatas (CDs 1, 4, 9 & 10) must address the fact that the composer did not designate these works as being "for violin and piano". For example, the first published edition of the "Spring" Sonata op. 24 from October 1801 reads "Sonate pour le Piano Forte," in large letters, followed in smaller print by "avec un Violon." Similarly, the title-page of the first edition of the "Kreutzer" Sonata op. 47 from April 1805 reads "Sonata per il Piano-forte ed un Violino obligato." None of this should be taken to mean that the violin writing plays "second fiddle" to the piano part, so to speak, but rather that both instruments carry equal weight within the musical discourse.

Argerich and Kremer understood this from the start of their recorded Beethoven encounters, originally intended as part of a series encompassing all the violin sonatas, the music for cello and piano with Maisky, plus the five piano concerti with Giuseppe Sinopoli and the Philharmonia Orchestra (in the end, Argerich and Sinopoli recorded only the First and Second Concertos). Initially Argerich expressed apprehension about recording Beethoven, lest her readings might sound self-conscious under the microphone's objective, unforgiving scrutiny. Yet, during an interview conducted prior to the cycle's final sessions, both Argerich and Kremer spoke of using the recording process to look for the unexpected. "It was an inspired idea to match (Argerich) against a violinist so unpredictable as she is herself," wrote Edward Greenfield in Gramophone, "for though there is nothing `safe' about these interpretations, and not everyone will respond to their sparkling, volatile qualities, the liveness of the experience is undeniable."

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Leonard Bernstein: The Symphony Edition

!#8# Leonard Bernstein: The Symphony Edition

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Post Date : Mar 07, 2012 02:57:31 | Usually ships in 24 hours

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Shostakovich: Complete Symphonies

!#8#Shostakovich: Complete Symphonies

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Post Date : Mar 03, 2012 17:38:04
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Complete Beethoven Edition

!#8#Complete Beethoven Edition

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Post Date : Feb 21, 2012 20:51:05
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Leonard Bernstein - Young People's Concerts / New York Philharmonic

!#8# Leonard Bernstein - Young People's Concerts / New York Philharmonic

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Leonard Bernstein's Young People's Concerts with the New York Philharmonic stand among his greatest achievements. These televised programs introduced an entire generation to the joys of classical music. Bernstein conducted his first Young People's Concert on January 18, 1958, just two weeks after becoming Music Director of the New York Philharmonic. Such programs were already a Philharmonic tradition when Bernstein arrived, but he made them a centerpiece of his work, part of what he described as his "educational mission." Looking back on the concerts years later, he referred to them as being "among my favorite, most highly prized activities of my life." When he took a sabbatical season from the orchestra in 1964-65, he still came back to lead the Young People's Concerts. He continued to lead these programs until 1972, even though he had stepped down as director of the Philharmonic in 1969. Bernstein led a total of fifty-three Young People's Concerts during those fourteen years, and covered a broad range of subjects. The works of the great composers were explored, including tributes to modern masters such as Dmitri Shostakovich, Paul Hindemith, Gustav Holst, Aaron Copland and Charles Ives. Bernstein discussed "Jazz in the Concert Hall," "Folk Music in the Concert Hall," and "The Latin-American Spirit." He explained the intricacies of Music Theory in programs such as "Musical Atoms: A Study of Intervals" and "What is a Mode?" He broached complex aesthetic issues such as "What Does Music Mean?" (his first program) with clarity and without condescension. Bernstein also used the Young People's Concerts to introduce young performers to the musical world. The sixteen year-old pianist André Watts made his debut in the concert of January 15, 1963. Originally broadcast on Saturday mornings, the programs were considered so important that for three glorious years CBS presented them at 7:30 p.m. (prime time for television viewing). Eventually the programs were moved to Sunday afternoons. The concerts were translated into other languages and syndicated to forty countries.

• Leonard Bernstein: Omnibus - The Historic TV Broadcasts
• The Unanswered Question - Six Talks at Harvard by Leonard Bernstein
• Children's Classics - Prokofiev: Peter & The Wolf / Saint-Saens: Carnival of the Animals / Britten: Young Person's Guide to the Orchestra (Bernstein Century)
• Young People's Concerts (Softcover) (Amadeus)
• The Joy of Music Leonard Bernstein

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